as bad as ” mimic ” was , it definitly scared me .
” mimic ” continued the frightening hollywood trend of taking a foreign director who shows a lot of creative ingenuity and style , and completely flushing it when he comes to america to make a movie .
director guillermo del toro was recently imported from mexico after he made the award winning and inventive horror film ” cronos . ”
that movie worked because it took an unconventional story , unique characters and well written plot and dialogue to create a truly scary movie .
in ” mimic ” , del toro doesn’t bother to give us anything original .
the plot is a stupid combination of ” aliens ” meets ” species ” meets ” jurassic park . ”
the characters have been recycled from a few hundred other movies .
there’s nothing new in ” mimic ” .
it’s just a bunch of old tricks that rarely work .
at the end of the movie , you’re stuck wanting your money back .
maybe the worst thing about the movie is that del toro followed another annoying trend of recent movies : he forgot to turn the lights on .
i don’t understand why suspense movies lately have to follow the ” seven ” trend and be set in dark , dank areas .
watching ” mimic ” i was tempted several times to yell at the screen ” turn the lights on !
the switch is to your right !
use common sense !
just do it !
you’ll be able to see the monster in the corner ! ”
there’s a scene where mira sorvino is standing in subway station while the lights are flickering on and off .
it looked like the light operator was having a seizure , and sorvino didn’t even notice – she just stood there looking like she was having deep thoughts .
” hmmm . . . .
i think bean soup would be good for dinner tonight . ”
” mimic ” has a lot of incidental shock tactics ( boo !
just kidding ! ) and follows them up with the real scare , but nothing in this movie scares you .
the audience in the theater never jumped during suspenseful moments ; i think they were bored , too .
i shouldn’t blame del toro .
he isn’t the first successful foreign director to come to hollywood and make a bad movie .
hong kong director john woo made two of the best action films of all time , ” the killer ” and ” hard boiled ” then came to america to make the stupid ” broken arrow . ”
french directors luc besson ( ” la femme nikita ” ) and george sluizer ( ” the vanishing ” ) followed woo’s lead and made dumbed down versions of those movies .
robert rodriguez , who directed the terrific low budget ” el mariachi ” came to hollywood and directed the horrible , high-budget ” desperado . ”
i don’t know why a foreign director who shows such talent in his country can’t make a good american movie .
woo finally broke through and made ” face/off ” , but it still isn’t up to par with his earlier films .
i get the feeling a hollywood producer sits in his office , chews on a big smelly cigar and says to the director , ” welcome to america !
i bet you must be tired after being on that boat for so long .
do you speak english ?
now , i know you think you’ve made good movies in the past , but now you’re in america , so things are a little different here .
just remember what the american audience always wants , and you’ll be fine .
they want to see at least one big breasted woman , characters that they’ve seen a thousand times before ( because change scares americans ) , and you always need a cheesy feel-good ending to wrap things up .
if you don’t make that kind of movie , you’ll be shining my shoes in no time . “