call ” hush ” ” stop or my mom will kill . ”
or ” mommy fearest . ”
or ” the hand that robs the cradle . ”
call it whatever you want , but certainly don’t see it unless you’re in desperate need of a bad movie-induced chuckle — ” hush ” scores so many unintentional guffaws that it almost qualifies as a guilty pleasure .
chalk its losses up to frequent stupidity lapses and apparent post-production tinkering ( it was supposed to open about a year ago ) , the latter of which appears to have given ” hush ” a send-off that’s downright infuriating .
it’s too bad that ” hush ” is so laughable , because the on-screen talent — including the pairing of gwyneth paltrow and jessica lange — is nothing to laugh at .
paltrow and johnathon schaech play helen and jackson , a photogenic new york couple on their way to spend christmas vacation at his wealthy , well-to-do family’s horse farm/estate kilronan .
jackson’s mother martha ( lange ) runs kilronan all by herself , and her genteel southern hospitality makes helen feel welcome immediately — even if her first meeting with martha takes place while helen is in the altogether , caught red-handed after a bedroom romp with her husband-to-be .
but it seems that martha’s friendly smile masks a much more threatening demeanor ; she’s what you’d call someone who loves too much .
martha eagerly , deviously wants a grandchild , and then helen will be expendable , as far as she’s concerned .
if there’s one reason to catch ” hush , ” it’s lange .
she treats the pedestrian screenplay better than it deserves to be treated , injecting martha ( poorly written though she may be ) with a little empathy to level out the psycho-playing field .
when she delves into martha’s dark side , predictable cliches — chain-smoking , staring in mirrors , praying in a confessional to a priest who isn’t there , poking a hole in helen’s diaphragm so she’ll become pregnant ( and she does ) — abound , but it’s moderately entertaining junk because lange is such an interesting actress to watch .
veteran performer nina foch is smart and tart as jackson’s wheelchair-bound paternal grandmother .
the rest of the cast looks ill and uncomfortable , especially paltrow .
but can you really blame them ?
the character relationships in ” hush ” hold a certain amount of promise , at least until their psychological impact is blown out of the water by sheer stupidity .
idiotic situations ( martha yells at a nearby horse so it will bolt up and knock helen over ) compliment idiotic dialogue ( ” why did you yell ? ”
helen yells back at martha ) , and the film takes the form of one of the shoddier fill in the blank-from-hell flicks ever made .
you can see through a great deal of martha’s actions and lies from their conception ; why do people who have known this woman for years longer than we have never figure things out ?
does nobody communicate or read the newspaper in this town ?
if any of her potential victims thought , acted or behaved like normal people , ” hush ” would be a really short movie .
and then there’s the climax and ending , which abruptly come when helen starts having contractions after eating some pound cake spiked with a labor-inducing drug normally used on horses .
after a really weird chase scene , martha calmly knits in a rocking chair while forcing helen to give birth in a bed all by herself .
i won’t spoil what happens next except to say that it’s contradictory , illogical and ( probably , since i’m no doctor ) medically impossible .
the final scene offers no closure , no resolution , no confrontation whatsoever .
it’s just there , dangling amidst silent displeasure .
no one should like this ending , regardless of their feelings on the preceding material .
perhaps ” hush ” ‘s title is a plea to silence its audience’s likely bitter word of mouth while exiting the theater .