at the outset of swordfish , john travolta’s gabriel shear is pontificating about the status of american cinema today .
basically , he says , it boils down to a lack of imagination among the majority of writers .
how ironic , as travolta seems to be describing his latest venture .
swordfish is loud , violent and amoral .
it has the audacity to justify murder and mayhem in the name of sustaining our way of life .
and how does travolta’s gabriel plan to do this ?
by robbing billions from his own government and using the funds to out-terrorize terrorists .
swordfish is a very cynical movie .
it relies on an audience’s perception of our leaders as ineffectual and duplicitous and on terrorists as non-human , faceless entities not worthy of compassion or consideration .
the movie’s plot is preposterous with enough illogical leaps that if the film ever slowed down , you’d actually see how ridiculous it all is .
this is a live-action road runner cartoon , moving so quickly that it’s over before you can catch your breath to ask any reasonable questions .
the storyline revolves around super hacker stanley jobson ( hugh jackman ) , recruited by gabriel to crack the government’s computer codes so gabriel can gather billions for his anti-terrorist campaign .
talk about whacked-out patriotism .
my objections to swordfish are many .
the body count is high , but that is expected in a movie of this sort .
it’s becoming a bore watching anonymous soldiers , police officers and government agents blown to bits .
another example is the family dynamics between stanley , his 10-year-old daughter and his ex-wife .
stanley , though having served time in prison for hacking , is shown as a loving and caring father , forbidden by his ex to see his little girl .
audience animosity is immediately created for his former spouse by showing her as a drinker and smoker who also sometimes stars in her new husband’s adult films .
thus when she is found murdered late in the movie , neither stanley nor his daughter are allowed any time to grieve .
in fact , subconsciously , many in the audience are probably glad she was killed .
then there is the sequence involving one of gabriel’s henchman holding a gun to the head of stanley’s daughter to coerce the hacker to download the key computer program for gabriel .
children as pawns have become a most unwelcome clich ? in recent films .
there is enough violence in the real world involving children without having to make them on-screen victims as well .
yea , it’s only make believe , but that doesn’t mean you have to tolerate it .
travolta is cool , deadly charming and flamboyant as the near-crazy gabriel .
his character is reminiscent of his villainous characterizations in broken arrow and face/off .
jackman looks dour through most of the proceedings .
his only moment of any depth comes when he finally is able to create the worm to get inside the government database .
his sense of joy and accomplishment is one any computer whiz can appreciate .
halle berry is decorative and lovely as gabriel’s assistant , while don cheadle is given little to do as the head fbi agent hunting gabriel .
swordfish plays like a comic book with a larger-than-life character in gabriel .
viewers align themselves with him despite their uncertainty if he is hero or villain .
and maybe that is the movie’s underlying flaw : there is no real hero to speak of , only those doing their upmost to survive .
and that is not enough .
this is one swordfish that should have been thrown back in the water .