warner brothers has scored another marketing coup .
the one-two punch was started in the summer , with the release of batman forever .
trailers for ace ventura 2 were bundled with the bat , ensuring that every jim carrey fan in the free world would know about the impending sequel .
carrey went on to win raves as the riddler and the ever-wise warner chose halloween as the release date for the video ( $11 . 99 at wal-mart ) ; a mere two weeks before carrey’s return in this marketwise , but misfired comedy .
ace ventura : when nature calls is a painful reminder of just how grating the rubber-faced comic can be when allowed to perform within an uncontrolled environment .
he may have been brilliant under the direction of joel schumacher , in batman forever , but , here , left to his own devices , carrey quickly wears out his welcome .
the opening sequence is by far the best–an amusing spoof of cliffhanger , with ace performing a mountain rescue of a stranded raccoon .
( you can guess what happens to mr . paws .
hint : it sounds like splat . )
the plot quickly shifts to a temple in the himalayas , and then to not-so-darkest africa , where ace is on the case of a missing white bat .
with his hair and limbs both wildly askew , carrey flies through his routine in about thirty minutes .
the rest of the film is just more of the same .
sure , the plot’s linear , and the production values solid , but where is the scripted humor to support carrey’s sloppy slathering ?
writer and director steve oderkerk provides precious few set-ups .
instead , carrey just mugs away , playing for the camera even when most of it isn’t funny .
the better gags have been shown in the ads , though a bit with ace emerging buck-naked from the backside of a mechanical rhino is something to see .
though an arguable improvement over the original , ace ventura : when nature calls is still a snooze for anyone over the age of ten .
the script is virtually devoid of wit .
tribal mask jokes ?
jerry lewis cameos ?
forget it .
if anything , the inexplicable presence of simon callow ( four weddings and a funeral ) and bob gunton ( the shawshank redemption ) suggests that working with carrey is the classical actor’s ultimate challenge .
just how long * can * they keep a straight face ?