when quentin tarantino made ” pulp fiction ” , he was not only making the greatest film of the 90s ; he was also making what i believe to be the most influential movie of all time .
but before you send me hate-mail for not giving that title to ” citizen kane ” , hear me out .
much like ” citizen kane ” , ” pulp fiction ” has changed movie making forever .
but i think the latter has had a tad more impact .
” pulp fiction ” has actually ushered in a new era of film making .
it has altered the way films will be viewed .
” fiction ” has spawned so many imitations , i’ve lost count .
sure , some have been excellent ( ” bound ” and ” the usual suspects ” spring immediately to mind ) , but any serious movie-goer recognizes ” pulp fiction ” as the original neo-noir of the 90s .
in this review , i hope to change all the people’s minds who have criticized it for it’s excessive profanity and violence ( which , by the way , isn’t really that graphic ) .
the most brilliant aspect of tarantino’s masterpiece is the screenplay .
it is filled with so much classic dialogue ( the ” quarter pounder with cheese ” speech will go down in history ) , it should be required reading for any film student , if it isn’t already .
the story ( told in unorthodox non-linear format ) centers around three main episodes , all of which eventually intertwine .
the first , titled ” vincent vega and marcellus wallace’s wife ” , deals with a very loaded john travolta ( i forgot to mention the cool heroin shoot-up sequence ) taking mia wallace ( a star-making performance by uma thurman ) , his bosses wife , out on a date to a cool 50s restaurant called jack rabbit slim’s .
they talk for a while ( with the occasional ” uncomfortable silence ” ) , mostly about a guy called tony rocky horror .
after giving marcellus’ new bride a foot massage , he was thrown off a building and into a greenhouse , giving him a ” speech impediment ” .
they also partake in a cool dance contest and end up twisting to the chuck berry classic ” you never can tell ” .
i won’t reveal the rest of the story , but i’ll definitely say that it turns out to be a real bummer of a night , despite the cool trophy they win .
the second story ( the least of the three but still four stars ) stars bruce willis ( proving he can play someone other than john mcclain in the ” die hard ” flicks ) as boxer butch coolidge .
previously in the film ( like i said , it’s told in non-linear form ) , he had made a deal with marcellus wallace that he would take a fall in a match .
as it turns out , he not only doesn’t take the fall , but he ends up actually killing his opponent .
he takes a cab to his half-witted girlfriend’s apartment , and to make a long story short , ends up going back to his own place to retrieve a gold watch , sort of a family heirloom explained by christopher walken in a hilarious flash-back sequence .
on his way home , he bumps into ( literally ) marcellus .
the two winde up prisoner to two hillbilly sex murderers , which results in the infamous ” gimp ” scene , which is very reminicent of the ” squeal like a pig ! ”
scene from ” deliverance ” .
the last ( and best , in my opinion ) of the episodes features john travolta ( again ) and samuel l . jackson ( in the best performance of any supporting actor ever ) as two slightly off-kilter hitmen trying to rid themselves of a bloody car .
they seek help with a friend of jackson’s ( played by the q-man himself ) , desperately in need of a stress ball .
they end up calling a ” cleaner ” of sorts , played by the god among men harvey keitel , to help them out .
in the end , the story brilliantly loops around itself , actually ending where it began .
if you haven’t already seen the film ( or even if you have , for that matter ) , i suggest you invest your money in a copy of the letterbox collectors edition .
it features two previously unreleased scenes and the original film restored how it was originally meant to be seen .
earlier today , i bought this version and watched it a few hours ago .
what the pan-and-scan did to this movie is inexcusable .
that version cut out , like , half the movie .
what i have missed in the past years of viewing this flick is amazing .
for instance , when travolta and jackson are in the apartment near the end , the widescreen version allows you to see that several things on the walls make crosses .
this might help explain the divine intervention that takes place .
just a theory . . .
one of the things that pisses people off so much about this movie is that tarantino borrowed alot of scenes from other movies ( i . e .
” psycho ” ” kiss me deadly ” , ” deliverance ” , etc . ) .
but why shouldn’t he ?
it’s not like he out-right and blatantly stole .
give the guy a break .
in case you haven’t already noticed , i believe ” pulp fiction ” is a supremely excellent film and one of the best of all time ( up there with such greats as ” casablanca ” and ” the godfather ” ) .
trust me , you will not see a better film come out of the 90s .
and besides , it’s one hell of a ride .
note : if anyone knows how i could get a ” bad motherfucker ” wallet , please e-mail me .
any help would be greatly appreciated .