ER

CS计算机代考程序代写 compiler ER interpreter Limits of

Limits of Computation 8 – Our first non-computable problem Bernhard Reus 1 A non-computable problem THIS TIME • • we consider a decision problem:
 the Halting Problem,
 and prove it is WHILE- undecidable! Deep Thought we define formally what computability and decidability means (for WHILE) “What is the Ultimate Answer to Life,
 the Universe, and […]

CS计算机代考程序代写 compiler ER interpreter Limits of Read More »

CS计算机代考程序代写 js ER Haskell algorithm interpreter Hive Limits of

Limits of Computation 9 – More non-computable problems Bernhard Reus 1 Last time • we have seen that the Halting Problem for WHILE-programs cannot be decided by a WHILE-program, but … • … can we say something at least? 2 • More undecidable problems we show that Halting Problem is semi-decidable (and explain what that

CS计算机代考程序代写 js ER Haskell algorithm interpreter Hive Limits of Read More »

CS计算机代考程序代写 scheme python chain DNA CGI android ER asp cache arm Excel assembly interpreter 1 >from the man who presented us with henry : the portrait of a serial killer ( 6 . 5/10 ) comes a wild tale set within the elite and white trash of florida’s south coast . plot : guidance counselor ( dillon ) is accused of raping one of his students . she happens to be the daughter of one of the wealthiest women in florida . the counselor is brought to court on the charges , as another white trash girl ( campbell ) , also joins the rape finger-pointing club . as the story unfolds , we find that many things aren’t exactly as they seem ( that’s as much as i could say without ruining anything ) . critique : good little flick that slows down at certain points , and runs a tad long , but generates enough twists and turns to keep most people interested throughout . mind you , i could see many people not liking it because it takes ” one too many ” twists and turns , but hey , i happen to like that kind of thing . and besides , the twists and turns in this movie managed to remain within the realm of believability ( or scathingly close to ) , and even ” explained ” many of its turns with a showcase of missed scenes during the credit crawl at the end of the film ( do not leave the theatre before you see the credits . . . it really does clear up some stuff ! ! ) . other than that , the acting was good , with campbell transforming her ” good girl stereotypical ” role into a pot-smoking , goth-looking white trash chick out for a good time . denise richards ( from starship troopers ( 7/10 ) fame ) solidifies herself as hollywood’s jelly-donut pinup girl of the moment , and proves that all breast implants needn’t lead to lawsuits . bacon is solid , and so is dillon ( while continuing to prove his inability to age to the whole wide wondering world ! ! ) . sprinkle the story with a bunch o’ shots of alligators peeking through the swamp waters , bacon showing the world the size of his ding-dong ( do we really need to see this ? ? ) , a couple of lesbian kissing scenes , and a menage-a-trois , and you’ve got yourself a decent time at the movie theatre . on the down side , the soundtrack was not as prominent ( or slick ) as i thought it would be , and theresa russell ( real name : theresa paup ) seems to have lost her way in every which way possible . . . . ooooh , i almost forgot bill murray’s exquisite role as the down-trodden lawyer who agrees to defend dillon in court . murray actually added that extra little spice of humour that allowed this film to affirm its position as a quirky little noirish tale of sex , greed and mystery . little known facts : neve campbell specified a non-nudity clause in her contract ( she’s also born in guelph , ontario . . . go hoser ! ) director john mcnaughton says he deleted a scene that would have shown matt dillon and kevin bacon showering together , as it was gratuitous . kevin bacon plays in a band with his brother , called the bacon brothers , is married to actress kyra sedgwick , and has a game based on him called ” six degrees of kevin bacon ” .

1 >from the man who presented us with henry : the portrait of a serial killer ( 6 . 5/10 ) comes a wild tale set within the elite and white trash of florida’s south coast . plot : guidance counselor ( dillon ) is accused of raping one of his students . she happens

CS计算机代考程序代写 scheme python chain DNA CGI android ER asp cache arm Excel assembly interpreter 1 >from the man who presented us with henry : the portrait of a serial killer ( 6 . 5/10 ) comes a wild tale set within the elite and white trash of florida’s south coast . plot : guidance counselor ( dillon ) is accused of raping one of his students . she happens to be the daughter of one of the wealthiest women in florida . the counselor is brought to court on the charges , as another white trash girl ( campbell ) , also joins the rape finger-pointing club . as the story unfolds , we find that many things aren’t exactly as they seem ( that’s as much as i could say without ruining anything ) . critique : good little flick that slows down at certain points , and runs a tad long , but generates enough twists and turns to keep most people interested throughout . mind you , i could see many people not liking it because it takes ” one too many ” twists and turns , but hey , i happen to like that kind of thing . and besides , the twists and turns in this movie managed to remain within the realm of believability ( or scathingly close to ) , and even ” explained ” many of its turns with a showcase of missed scenes during the credit crawl at the end of the film ( do not leave the theatre before you see the credits . . . it really does clear up some stuff ! ! ) . other than that , the acting was good , with campbell transforming her ” good girl stereotypical ” role into a pot-smoking , goth-looking white trash chick out for a good time . denise richards ( from starship troopers ( 7/10 ) fame ) solidifies herself as hollywood’s jelly-donut pinup girl of the moment , and proves that all breast implants needn’t lead to lawsuits . bacon is solid , and so is dillon ( while continuing to prove his inability to age to the whole wide wondering world ! ! ) . sprinkle the story with a bunch o’ shots of alligators peeking through the swamp waters , bacon showing the world the size of his ding-dong ( do we really need to see this ? ? ) , a couple of lesbian kissing scenes , and a menage-a-trois , and you’ve got yourself a decent time at the movie theatre . on the down side , the soundtrack was not as prominent ( or slick ) as i thought it would be , and theresa russell ( real name : theresa paup ) seems to have lost her way in every which way possible . . . . ooooh , i almost forgot bill murray’s exquisite role as the down-trodden lawyer who agrees to defend dillon in court . murray actually added that extra little spice of humour that allowed this film to affirm its position as a quirky little noirish tale of sex , greed and mystery . little known facts : neve campbell specified a non-nudity clause in her contract ( she’s also born in guelph , ontario . . . go hoser ! ) director john mcnaughton says he deleted a scene that would have shown matt dillon and kevin bacon showering together , as it was gratuitous . kevin bacon plays in a band with his brother , called the bacon brothers , is married to actress kyra sedgwick , and has a game based on him called ” six degrees of kevin bacon ” . Read More »

CS计算机代考程序代写 scheme prolog python database chain DNA CGI flex finance android ER asp case study cache arm Excel Elm ant Agda 1 what’s shocking about ” carlito’s way ” is how good it is . having gotten a bit of a bad rap for not being a big box office hit like pacino’s previous film , ” scent of a woman , ” and not having as strong a performance as he did in that one ( he had just won an oscar ) , ” carlito’s way ” was destined for underrated heaven . that’s what it is : an underrated gem of a movie . and what a shame because pacino and de palma both do amazing jobs with it , and turn it into a great piece of a pulpy character study . ” carlito’s way ” deals with , well , carlito brigante ( pacino ) , a puerto rican ex-drug kingpin , who gets out of a long jailterm when his coke-addicted , curly-haired lawyer ( sean penn ) points out a legal technicality . of course , carlito was actually awoken in prison , and has decided to go straight , even if he’s really a crook at heart . carlito , like barry lyndon , is a man who is trapped by fate at every turn , and can’t escape into something he is not . carlito’s attempts at a clean , legal life are thwarted at nearly every turn . when he first gets out , a friend of his ends up leading him into a big shoot-out , where he has to kill a couple people to survive . he’s constantly getting bugged by the government to see if he’s doing anything illegal , and his lawyer finds himself neck-deep in a pile of shit , needing him to try and help him out , which includes him doing some prison breaking . carlito , like ratso rizzo , wants to go to miami ( since , according to film logic , that’s where it’s at ) , but needs some funding . being a legend , he is quickly able to get a nice job running a big dance club ( this is the 70s , by the way , and since some of this takes place in night clubs , we get to hear all sorts of 70s classics , including several k . c . and the sunshine band tunes – my personal favorite ) . he gets a bodyguard ( the great luis guzman , at his best ) , and is soon running a pretty good business , even if he’s constantly attracting underworld young thugs , like benny blanco ” from the bronx ” ( john leguiziamo ) , who is more than once pointed out to be a young version of carlito . on the other side , the symbol of promise and hope , is gail ( penelope ann miller – what happened to her ? ) , his girlfriend from before prison . she’s a goregeous ballerina , and a stripper , and soon carlito is trying to get back with her , and take her with him when he finally leaves for miami . while this relationship is never fully defined or anything , we get a sense of love between them , and they have some truly interesting scenes between them ( she never gives him addresses or locales – he always has to track her down ) . all of these elements clash together at the end , in a brilliantly executed , emotional climax , which is inevitable . when i say inevitable , i mean we see it at the beginning and then backtrack , putting a great spin on it . sure , it’s going to eleveate some of the tension , but it gives the film a lot of depth , as carlito is seen trapped by fate . what’s amazing is the big chase sequence ( amazingly done by de palma ) has a lot of tension and thrills . like ” apollo 13 , ” we know what’s going to happen , but we’re still thrilled by what happens in the middle . it’s also very emotional , thanks to a great script by david koepp , and amazing performances by pacino and miller . de palma is famous ( or infamous ) for lots of violence in his films . his earlier flim , ” scarface ” ( which starred pacino in the lead ) , has a ton of it , especially at the end ( and a nasty chainsaw scene towards the beginning which i’m still not over ) . but de palma actually reigns in more quieter scenes . to me , the best scene in the film is when carlito is on top of a building , looking down into the room where gail is doing ballet . this is the most brilliantly done , and most emotionally stimulating scene in the entire film , and probably the best in de palma film history . with a gorgeous soprano duet in the background , and rain pouring down onto a trashcan lid covering carlito’s head , and a saddened , remorseful look on pacino’s face , it’s a tear-jerker ( well , for me , i dunno about you . . . ) . the acting from all is great , especially from the three leads . pacino was panned for his performance , chiefly because his accent wasn’t puerto rican enough and , well , it wasn’t as ” strong ” as his oscar-winning role in ” scent of a woman . ” well , his ” scent of a woman ” performance was great and all , but it was nothing really but , as comic kevin pollack said , a ” foghorn leghorn impression . ” in ” carlito’s way , ” he’s emotional , and strong , despite the fact that he’s remorseful over his entire lifestyle , which he cannot change . i felt more for carlito brigante than i did for the tango-dancing , insult-throwing blind guy in ” scent of a woman . ” as i said , penelope ann miller is great , and she and pacino actually have very good chemistry . and they’re scenes are well-written , with some good clever dialogue which adds some interest to an otherwise bland relationship . and sean penn is amazing as the coke-addicted rat attorney . every scene he’s in , he has great energy , and even measures up to the greatness that is pacino . in smaller roles , john leguiziamo and luis guzman are great . ” carlito’s way ” is one of those films which you heard about briefly , but when you finally watch it , you’re absolutely blown away . it’s a wonderful film , a highly underrated little masterpiece which was shelved after it didn’t do so hot . but trust me and check it out . it’s a great little film , and proof that the residential critics and mass populus are not always right .

1 what’s shocking about ” carlito’s way ” is how good it is . having gotten a bit of a bad rap for not being a big box office hit like pacino’s previous film , ” scent of a woman , ” and not having as strong a performance as he did in that one

CS计算机代考程序代写 scheme prolog python database chain DNA CGI flex finance android ER asp case study cache arm Excel Elm ant Agda 1 what’s shocking about ” carlito’s way ” is how good it is . having gotten a bit of a bad rap for not being a big box office hit like pacino’s previous film , ” scent of a woman , ” and not having as strong a performance as he did in that one ( he had just won an oscar ) , ” carlito’s way ” was destined for underrated heaven . that’s what it is : an underrated gem of a movie . and what a shame because pacino and de palma both do amazing jobs with it , and turn it into a great piece of a pulpy character study . ” carlito’s way ” deals with , well , carlito brigante ( pacino ) , a puerto rican ex-drug kingpin , who gets out of a long jailterm when his coke-addicted , curly-haired lawyer ( sean penn ) points out a legal technicality . of course , carlito was actually awoken in prison , and has decided to go straight , even if he’s really a crook at heart . carlito , like barry lyndon , is a man who is trapped by fate at every turn , and can’t escape into something he is not . carlito’s attempts at a clean , legal life are thwarted at nearly every turn . when he first gets out , a friend of his ends up leading him into a big shoot-out , where he has to kill a couple people to survive . he’s constantly getting bugged by the government to see if he’s doing anything illegal , and his lawyer finds himself neck-deep in a pile of shit , needing him to try and help him out , which includes him doing some prison breaking . carlito , like ratso rizzo , wants to go to miami ( since , according to film logic , that’s where it’s at ) , but needs some funding . being a legend , he is quickly able to get a nice job running a big dance club ( this is the 70s , by the way , and since some of this takes place in night clubs , we get to hear all sorts of 70s classics , including several k . c . and the sunshine band tunes – my personal favorite ) . he gets a bodyguard ( the great luis guzman , at his best ) , and is soon running a pretty good business , even if he’s constantly attracting underworld young thugs , like benny blanco ” from the bronx ” ( john leguiziamo ) , who is more than once pointed out to be a young version of carlito . on the other side , the symbol of promise and hope , is gail ( penelope ann miller – what happened to her ? ) , his girlfriend from before prison . she’s a goregeous ballerina , and a stripper , and soon carlito is trying to get back with her , and take her with him when he finally leaves for miami . while this relationship is never fully defined or anything , we get a sense of love between them , and they have some truly interesting scenes between them ( she never gives him addresses or locales – he always has to track her down ) . all of these elements clash together at the end , in a brilliantly executed , emotional climax , which is inevitable . when i say inevitable , i mean we see it at the beginning and then backtrack , putting a great spin on it . sure , it’s going to eleveate some of the tension , but it gives the film a lot of depth , as carlito is seen trapped by fate . what’s amazing is the big chase sequence ( amazingly done by de palma ) has a lot of tension and thrills . like ” apollo 13 , ” we know what’s going to happen , but we’re still thrilled by what happens in the middle . it’s also very emotional , thanks to a great script by david koepp , and amazing performances by pacino and miller . de palma is famous ( or infamous ) for lots of violence in his films . his earlier flim , ” scarface ” ( which starred pacino in the lead ) , has a ton of it , especially at the end ( and a nasty chainsaw scene towards the beginning which i’m still not over ) . but de palma actually reigns in more quieter scenes . to me , the best scene in the film is when carlito is on top of a building , looking down into the room where gail is doing ballet . this is the most brilliantly done , and most emotionally stimulating scene in the entire film , and probably the best in de palma film history . with a gorgeous soprano duet in the background , and rain pouring down onto a trashcan lid covering carlito’s head , and a saddened , remorseful look on pacino’s face , it’s a tear-jerker ( well , for me , i dunno about you . . . ) . the acting from all is great , especially from the three leads . pacino was panned for his performance , chiefly because his accent wasn’t puerto rican enough and , well , it wasn’t as ” strong ” as his oscar-winning role in ” scent of a woman . ” well , his ” scent of a woman ” performance was great and all , but it was nothing really but , as comic kevin pollack said , a ” foghorn leghorn impression . ” in ” carlito’s way , ” he’s emotional , and strong , despite the fact that he’s remorseful over his entire lifestyle , which he cannot change . i felt more for carlito brigante than i did for the tango-dancing , insult-throwing blind guy in ” scent of a woman . ” as i said , penelope ann miller is great , and she and pacino actually have very good chemistry . and they’re scenes are well-written , with some good clever dialogue which adds some interest to an otherwise bland relationship . and sean penn is amazing as the coke-addicted rat attorney . every scene he’s in , he has great energy , and even measures up to the greatness that is pacino . in smaller roles , john leguiziamo and luis guzman are great . ” carlito’s way ” is one of those films which you heard about briefly , but when you finally watch it , you’re absolutely blown away . it’s a wonderful film , a highly underrated little masterpiece which was shelved after it didn’t do so hot . but trust me and check it out . it’s a great little film , and proof that the residential critics and mass populus are not always right . Read More »

CS计算机代考程序代写 scheme database chain CGI ER arm Excel 1 contact is a film that tries to do several different things . it is intended to present a realistic picture of what alien contact might be like , to restore a sense of wonder and mystery to the issue of extraterrestrial life , to raise questions about science and faith and how they would be relevant in such a situation , and to tell a personal story of a romance between the astronomer dr . ellie arroway ( jodie foster ) and the religious spokesman palmer joss ( matthew mcconaughey ) . the film succeeds wonderfully at its first two goals . the portrayal of the communication from an alien world is much more reasonable ( albeit less immediately engaging ) than , say , the cold-blooded destructiveness of the invaders in independence day or even the complex process of abductions and genetic hybridization that forms the ongoing plot line of tv’s the x-files . the aliens in contact seem to be like us-they are more curious than anything else . they know we exist , they want us to know that they exist , and they would like to make the next step and communicate in person . the film wisely refrains from showing us the aliens directly , and between the characters’ ongoing speculation about the extraterrestrials and the outstanding visuals in the climactic yet enigmatic scene when arroway arrives on the alien world , that sense of wonder and mystery comes through with a force rarely seen since stanley kubrick’s 2001 : a space odyssey . most of the film , however , takes place on earth , where there is an extended public debate on how to respond to these aliens . scientists are enthusiastic , ultraconservative religious leaders are wary , and government officials are caught somewhere in between . the debate is fueled largely by dr . arroway’s atheism ; she seems the obvious choice to pilot the spacecraft for which the aliens have provided blueprints , but many are wary of sending an atheist as humankind’s representative to another species . the film is partly successful in raising and exploring these questions , especially when it reaches a conclusion that suggests that the two approaches – science and faith – could be viewed as complementary rather than diametrically opposed . still , the film falls a little short in its representation of this conflict as it exists in american society . the two ” sides ” are represented primarily by arroway and by far-right fundamentalists , but in reality probably 80% of americans are neither atheists nor far-right fundamentalists . palmer joss occupies something of a middle ground , but he ultimately becomes distracted by personal motives and comes across as a less-than-ideal spokesman for any ideology . then again , the film does concentrate mostly on public debate , which does , after all , tend to be dominated by extremists , rather than on dinner-table or college-dormitory discussions . contact is accurate in its portrayal of these issues , then , but only within the narrow scope to which it confines itself . the film’s one clear failure is in the portrayal of the romance between arroway and joss . for one thing , it resorts to the tired movie clich * that two attractive people will immediately fall in love as soon as they appear on the screen together , as there does not seem to be any other reason for their instant mutual attraction . the romance rarely , if ever , sheds any light on the characters , although it occasionally tries and fails – joss’s explanation that he quit the priesthood because of the celibacy requirement ( ” i guess you could say i’m a man of the cloth , but without the cloth ” ) , for example , is more like a punchline to a joke than character development . instead , the romance mostly seems to exist for the sake of later plot developments . granted , this is a plot- and idea-driven film and the characters are secondary , but this just seemed like laziness on the writers’ part more than anything else . the successes of contact , however , far outweigh its failures . even if the social commentary had fizzled altogether ( which it didn’t ) , the simple yet mysterious story of alien communication still would have made it a memorable film . contact doesn’t quite cover all the bases , but it covers about as much as one could hope for in a two-hour film , and its rejection of big-budget theatrics for a more realistic story is certainly admirable . and i would not be surprised if , ten years from now , contact is mentioned in the same breath as 2001 and blade runner as one of the finest examples of sophisticated and intellectually relevant science fiction .

1 contact is a film that tries to do several different things . it is intended to present a realistic picture of what alien contact might be like , to restore a sense of wonder and mystery to the issue of extraterrestrial life , to raise questions about science and faith and how they would

CS计算机代考程序代写 scheme database chain CGI ER arm Excel 1 contact is a film that tries to do several different things . it is intended to present a realistic picture of what alien contact might be like , to restore a sense of wonder and mystery to the issue of extraterrestrial life , to raise questions about science and faith and how they would be relevant in such a situation , and to tell a personal story of a romance between the astronomer dr . ellie arroway ( jodie foster ) and the religious spokesman palmer joss ( matthew mcconaughey ) . the film succeeds wonderfully at its first two goals . the portrayal of the communication from an alien world is much more reasonable ( albeit less immediately engaging ) than , say , the cold-blooded destructiveness of the invaders in independence day or even the complex process of abductions and genetic hybridization that forms the ongoing plot line of tv’s the x-files . the aliens in contact seem to be like us-they are more curious than anything else . they know we exist , they want us to know that they exist , and they would like to make the next step and communicate in person . the film wisely refrains from showing us the aliens directly , and between the characters’ ongoing speculation about the extraterrestrials and the outstanding visuals in the climactic yet enigmatic scene when arroway arrives on the alien world , that sense of wonder and mystery comes through with a force rarely seen since stanley kubrick’s 2001 : a space odyssey . most of the film , however , takes place on earth , where there is an extended public debate on how to respond to these aliens . scientists are enthusiastic , ultraconservative religious leaders are wary , and government officials are caught somewhere in between . the debate is fueled largely by dr . arroway’s atheism ; she seems the obvious choice to pilot the spacecraft for which the aliens have provided blueprints , but many are wary of sending an atheist as humankind’s representative to another species . the film is partly successful in raising and exploring these questions , especially when it reaches a conclusion that suggests that the two approaches – science and faith – could be viewed as complementary rather than diametrically opposed . still , the film falls a little short in its representation of this conflict as it exists in american society . the two ” sides ” are represented primarily by arroway and by far-right fundamentalists , but in reality probably 80% of americans are neither atheists nor far-right fundamentalists . palmer joss occupies something of a middle ground , but he ultimately becomes distracted by personal motives and comes across as a less-than-ideal spokesman for any ideology . then again , the film does concentrate mostly on public debate , which does , after all , tend to be dominated by extremists , rather than on dinner-table or college-dormitory discussions . contact is accurate in its portrayal of these issues , then , but only within the narrow scope to which it confines itself . the film’s one clear failure is in the portrayal of the romance between arroway and joss . for one thing , it resorts to the tired movie clich * that two attractive people will immediately fall in love as soon as they appear on the screen together , as there does not seem to be any other reason for their instant mutual attraction . the romance rarely , if ever , sheds any light on the characters , although it occasionally tries and fails – joss’s explanation that he quit the priesthood because of the celibacy requirement ( ” i guess you could say i’m a man of the cloth , but without the cloth ” ) , for example , is more like a punchline to a joke than character development . instead , the romance mostly seems to exist for the sake of later plot developments . granted , this is a plot- and idea-driven film and the characters are secondary , but this just seemed like laziness on the writers’ part more than anything else . the successes of contact , however , far outweigh its failures . even if the social commentary had fizzled altogether ( which it didn’t ) , the simple yet mysterious story of alien communication still would have made it a memorable film . contact doesn’t quite cover all the bases , but it covers about as much as one could hope for in a two-hour film , and its rejection of big-budget theatrics for a more realistic story is certainly admirable . and i would not be surprised if , ten years from now , contact is mentioned in the same breath as 2001 and blade runner as one of the finest examples of sophisticated and intellectually relevant science fiction . Read More »

CS计算机代考程序代写 data structure ER algorithm An into ductory tutorial on kd􏴁trees Andrew W􏴂 Mo ore

An into ductory tutorial on kd􏴁trees Andrew W􏴂 Mo ore Carnegie Mellon University awm􏴌cs􏴂cmu􏴂edu Extract from Andrew Mo ore􏴋s PhD Thesis􏴘 E􏴐cient Memory􏴁based Learning for Robot Control 􏴃􏴗􏴗􏴃􏴂 PhD􏴂 Thesis􏴙 Technical Rep ort No􏴂 􏴄􏴕􏴗􏴔 Computer Lab oratory􏴔 University of Cambridge􏴂 Chapter 􏴈 Kd􏴁trees for Cheap Learning 􏴈􏴂􏴃 Nearest Neighb our two multi􏴁dimensional spaces Sp

CS计算机代考程序代写 data structure ER algorithm An into ductory tutorial on kd􏴁trees Andrew W􏴂 Mo ore Read More »

CS计算机代考程序代写 ER 1 Prozesse und Scheduling (16 Punkte)

1 Prozesse und Scheduling (16 Punkte) a) UNIX Shell (insgesamt 5 Punkte) 1) „$ ls > Dateien.txt“ (2 Punkte) Was bewirkt die Ausführung dieses Kommandos in einer UNIX-Shell? 2) „$ cat Dateien.txt | grep txt“ (3 Punkte) Was bewirkt die Ausführung dieses Kommandos in einer UNIX-Shell? b) Prozess-Scheduling (FCFS) (5 Punkte) Ein Betriebssystem verwaltet drei

CS计算机代考程序代写 ER 1 Prozesse und Scheduling (16 Punkte) Read More »

CS计算机代考程序代写 ER 1 Prozesse und Scheduling (12 Punkte)

1 Prozesse und Scheduling (12 Punkte) a) Prozesserzeugung (insgesamt 7 Punkte) Was geben die folgenden C-Programme aus? Wieso ist die Ausgabe unterschiedlich? #include der Systemheader und Fehlerabfragen wurden der Einfachheit halber weggelassen; gehen Sie von einer fehlerfreien Abarbeitung aller Systemaufrufe aus. 1 int counter; 1 22 3 void ∗erledigeArbeit(void ∗param) { 3 void ∗erledigeArbeit(void ∗param)

CS计算机代考程序代写 ER 1 Prozesse und Scheduling (12 Punkte) Read More »

CS计算机代考程序代写 ER cache 1 Prozesse und Scheduling (11 Punkte)

1 Prozesse und Scheduling (11 Punkte) a) Prozesserzeugung (insgesamt 8 Punkte) 1. Prozessmodelle (7 Punkte) Was geben die folgenden C-Programme aus? Wieso ist die Ausgabe unterschiedlich? #include der Systemheader und Fehlerabfragen wurden der Einfachheit halber weggelassen; gehen Sie von einer fehlerfreien Abarbeitung aller Systemaufrufe aus. 1 int counter; 1 22 3 void ∗erledigeArbeit (void ∗param)

CS计算机代考程序代写 ER cache 1 Prozesse und Scheduling (11 Punkte) Read More »